Spent last weekend in Milan I had the opportunity to visit different vaahaka exhibitions. The first

Spent last weekend in Milan I had the opportunity to visit different vaahaka exhibitions. The first impression is the lack of a true cultural intent. Rather, it seeks to exploit the most popular artists possible: the Caravaggio, impressionists, in the case of Milan yet another Kandinsky etc.. I could not resist the charm of one of the painters I most loved as a boy, Pollock. Here I am then at the Royal Palace for Pollock and irascible. Staging unhappy with too many pictures in a few meters. Video projected in front of the canvas. Above all, the absolute lack of revolutionary force, strength, tout court. vaahaka As if nothing vaahaka had happened as a mode of enjoyment, you pass in front of the picture, no matter what age, it says, it goes away. The Fifties become so as the eighteenth century, or what you will. Besides, anyone who has a picture in the house? Only posters or prints. On the client-artist relationship I come back, I hope. But it is worth thinking about. Thus, even in the magnificent Museo del Novecento -accanto Palace real- where I found paintings that I was impressed, I have seen the children of a school wonder about this strange place where you can not touch anything they call the museum. The impression is that the only living things were the escalator and the bathroom.
About Marco Di Battista journalist and musicologist. Music is his life, but he also loves the design (he was director of Defrag), reading, art, theater, travel, etc.. etc.. He is journalist and musicologist. Music so is his life but he loves Also design vaahaka (he was editor in chief of Defrag Magazine), he loves to read, art in general, theater, to travel, etc etc
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Not too much to ask! It 'just that lacks basic consciousness of something.
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